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Archive for February 2026

Review: WKU Symphonic Band and Wind Ensemble: From Ding to Ding: The colorful world of winds and percussion.

By Timothy Simpson | February 28, 2026
Van Meter at WKU

Symphonic Band & Wind Ensemble Concert Sanctum and Shadows Between sanctum and shadow turns the wheel of fortune.  Friday, February 27 2026 | 7:30 p.m.Van Meter HallHilltop Drive at WKUBowling…

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Theater Review: LIVE: Professional Theater Produced in Bowling Green Kentucky: Steel Magnolias: SKYPAC and Ramsey Theater Company

By Timothy Simpson | February 22, 2026

Stepping into a different area today as I review a live performance of a theater piece. My reasoning here is that it is important for me to do what I…

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Orchestra Concert Review: Louisville: “The Sounds of a New Nation”

By Timothy Simpson | February 21, 2026

Orchestra Concert Review “The Sounds of a New Nation” Louisville Orchestra — Whitney Hall, February 20, 2026 Teddy Abrams, Music Director Program William Billings: Chester †William Schuman: New England Triptych…

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French Horn Recital Review: Three Ladies, Two French Horns, and Piano at WKU | Musiterania™

By Timothy Simpson | February 16, 2026

Western Kentucky University Department of Music presents Faculty & Guest Recital Dr. Sarah Schouten, horn withMira Choi, pianoDr. Emily Britton, horn Ivan Wilson Fine Arts Center – Room 189, Recital…

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A New Direction for Musiterania

By Timothy Simpson | February 13, 2026
Musiterania

A New Direction for Musiterania Hi there, everybody — Timothy here from Musiterania.com. I’m recording this so I can turn it into a blog post, because sometimes the clearest ideas…

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Review: The Nashville Symphony’s performance of Bernstein’s “Jeremiah” Symphony #1 and Leshnoff’s “The Sacrifice of Isaac”. A profound evening of classical music made in America.

By Timothy Simpson | February 10, 2026

Spano Conducts Bernstein featuring Leshnoff and the Nashville Symphony Chorus Schermerhorn Symphony Center — Nashville, TN  Program Leonard Bernstein: Symphony No. 1 (“Jeremiah”) Program Notes for “Jeremiah” INTERMISSION Jonathan Leshnoff:…

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Review: Nothing like a snowy morning in Cincinnati! Got warm on the gorgeous sounds of Mahler in concert by the Cincinnati Symphony Orchestra

By Timothy Simpson | February 9, 2026

It is now Monday, February 9, 2026, and I am just now writing this review. What did I hear, what did I see, and what do I think about it?…

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In the hall: Where the real sound of purely acoustical music happens. Mahler the master of the live concert experience.

By Timothy Simpson | February 2, 2026

Since the beginning of electronic amplification, reproduction, and broadcasting of music, we have been slowly desensitized to the natural sounds of voices and instruments. Our ability to rewind, tweak, and…

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Recent Posts

  • Songbird: Orchestra Kentucky’s guest presents the music of Barbara Streisand
  • Nashville Symphony with Renee Fleming and Rod Gilfry: An evening of great diction.
  • Music and Mind: Renee Fleming presents new music medical breakthroughs.
  • 1st Quarter Reflections of Musiterania’s New Direction
  • Review: Memphis Symphony’s “America’s 250th Birthday Celebration”

Recent Comments

  • Timothy Simpson on Music and Mind: Renee Fleming presents new music medical breakthroughs.
  • John Mark Young on Music and Mind: Renee Fleming presents new music medical breakthroughs.
  • linda Hill on Theater Review: Words Flow Like Water: “The Miracle Worker” in Bowling Green, Kentucky by the Fountain Square Players.
  • Paige Logan on Theater Review: Words Flow Like Water: “The Miracle Worker” in Bowling Green, Kentucky by the Fountain Square Players.
  • Jeffrey Beard on Theater Review: Words Flow Like Water: “The Miracle Worker” in Bowling Green, Kentucky by the Fountain Square Players.

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